Messenger of Dionysos · Mused by Apollo

In ancient times, Satyr was the horned and horny messenger of Eleusinian forest god Dionysos. He mesmerized the youth of nearby villages with the musical magic of his flute and made them dance till broad daylight. In our common present, the spirit of Satyr inhabits the body of a human boy.

Searching for a new way to spread the vibe of the forest, by Dionysian decree, Satyr switched to SL and CDJ instruments, which fit the job quite nicely. Apart from those, he employs the tools Apollo chose: a blank screen and virtual ink, to jot down all he likes to think - hence this his satellite here, orbiting Earth's blogosphere!


scroll down to read his story in full

No Fools Like April's Fools


watch this audiobook on youtube


The Eye in the Triangle
The First Trip or Kether


It was the year when they finally immanentized the Eschaton. On April 1, the world's great powers came closer to nuclear war than ever before, all because of an obscure island named Fernando Poo. By the time international affairs returned to their normal cold-war level, some wits were calling it the most tasteless April Fools' joke in history. I happen to know all the details about what happened, but I have no idea how to recount them in a manner that will make sense to most readers.
For instance, I am not even sure who' I am, and my embarrassment on that matter makes me wonder if you will believe anything I reveal. Worse yet, I am at the moment very conscious of a squirrel -in Central Park, just off 68th Street, in New York City- that is leaping from one tree to another, and I think that happens on the night of April 23 (or is it the morning of April 24?), but fitting the squirrel together with Fernando Poo is, for the present, beyond my powers.
I beg your tolerance. There is nothing I can do to make things any easier for any of us, and you will have to accept being addressed by a disembodied voice just as I accept the compulsion to speak out even though I am painfully aware that I am talking to an invisible, perhaps nonexistent, audience.
Wise men have regarded the Earth as a tragedy, a farce, even an illusionist's trick; but all, if they are truly wise and not merely intellectual rapists, recognize that it is certainly some kind of stage in which we all play roles, most of us being very poorly coached and totally unrehearsed before the curtain rises.
Is it too much if I ask, tentatively, that we agree to look upon it as a circus, a touring carnival wandering about the Sun for a record season of four billion years and producing new monsters and miracles, hoaxes and bloody mishaps, wonders and blunders, but never quite entertaining the customers well enough to prevent them from leaving, one by one, and returning to their homes for a long and bored winter's sleep under the dust?
Then, say, for a while at least, that I have found an identity as ringmaster; but that crown sits uneasily on my head (if I have a head) and I must warn you that the troupe is small for a universe this size and many of us have to double or triple our stints, so you can expect me back in many other guises. Indeed do many things come to pass.

all text sampled from "The Illuminatus! Trilogy"
by Robert Anton Wilson & Robert Shea
© Dell Publishing, 1975
all fnords reserved


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º

in chaos to create order,
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freakuently unanswered questions


? what is Satyr

! in ancient times, Satyr roamed the Eleusinian forests as the horned and horny messenger of Dionysos - the god of ritual intoxication - who dispatched him to mesmerize the youth of nearby villages with the musical magic of his flute, and made them dance till broad daylight.

? where is Satyr

! in our recent past, Satyr reincarnated in the concrete jungle of Amsterdam as a DJ. At age ten, he recorded his first mix, displaying his love for early hip hop and electro, and soon his tapes were in high demand. After the Second Summer Of Love, he got turned on by new dimensions of synthetic sound and ventured into the realms of ambient, acid-house, techno and trance music, never looking back ever since.

? does he still play flute

! the Panflute has become an artefact in captivity, held safe and sound in the archeological archive of the Vatican. Yet, since them high-n-mighty early 1990s, Satyr became increasingly skilled as a player of the SL & CDJ instruments, spinning various styles of musica eclectronica, embracing a wide range of the bpm spectrum with remarkable sparkle.

Notoriously difficult to pigeonhole yet sharply focused on and specialized in ambient, chillout, psytrance & deep atmospheric techno; entertaining events for 5 to 50.000 people, by serving his spicy melange of clean cuts and dirty grooves, mixing it down and grinding it up from raw to smooth.

A few memorable events ecstasized by Satyr:
Amsterdam Dance Event (NL), Atmosphere (Berlin / D), Ballonnenfeest (NL), Burning Man (USA), Carnival (Varginha / Brazil), Club A (Sao Paulo / Brazil), Dance Valley (NL), Love & Magic (Oslo / Norway), Q-Base (D), Metsafestiwaal (Finland), Pi Club (Berlin / D), Senseblender Festival (B), Universo Paralello (Bahia / Brazil), VooV Experience (D), and many more in Belgium, Brazil, Estonia, Finland, Germany, Greece, Lithuania, Norway, Portugal, Slovakia, USA & all over The Netherlands.*

* a detailed gigographic list might appear later



unless mentioned otherwise:
all text ⓦ Satyr Barbarossa,
(cc) 2007 - 2024, CC BY-NC-ND 4.0

all rights reserved,
all wrongs forgiven